Friday, October 16, 2009

To be read, perhaps, in reverse by JKD

After Lisa Pasold's Whoops-a-daisy..., Jon Wonham's In life the rampant mind has limbs and Tall Tale of Short Hours by Amy Hollowell

Clinging onto the rampant limbs
because these were things we would not do
not see not be part of not parting
being the thing passing through or
bygone

nights not anymore
risking time and pinned-together boulevards
the intertwined life of its own mind
when the red and yellow fall
in an orange nightscape

inverted constructs rattle and sliver
unseen along the scenic drive

elsewhere cliffs and ruins of old tunnels
tell me about the centuries of battles and treaties
of a cobbled route up which someone drove us
of myths and unknowns
this was haunting if we could be there

but in this small car on this wide and vacant road
there are only elevated furrows
extended courtyards
barriers penning in a preordained timeline
telling us how what was was

you, for example, whispering
words syllables clicked consonants left underground

so when I was there, later, I could unearth
remnants because things
like cut glass, painted pottery, bronze blades,
gas masks, spittoons, an ivory comb, dictionaries
that are left adrift never came back

because there were things we would not do
anymore, to hear me listening, to be
in the enunciation or simply riding
round and round on Bay Street, arms interlinked,
until everyone would clamor awake
dawn overbright in the joyous crowding

2 comments:

Jennifer K Dick said...

(A first of many rearrangements, by JKD)

bygone
nights not anymore


elsewhere cliffs and ruins of old tunnels
a cobbled route up which someone drove us
risking time and pinned-together boulevards
tell me about the centuries of battles and treaties
in an orange nightscape
clinging onto the rampant limbs
of myths and unknowns
this was haunting if we could be there
unseen along the scenic drive
when the red and yellow fall
being the thing passing through or
the intertwined life of its own mind
in this small car on this wide and vacant road
where inverted constructs rattle and sliver
barriers penning in only elevated furrows
extended courtyards
in the charcoal night because telling is us
and what was was you, for example,
whispering words syllables
clicked consonants left
so then I was there, because
things that are adrift never came back
to hear me listing why
we would not do not see not be part of

Jennifer K Dick said...

The secondary base text (my journal ramble):

Because these were things we would not do anymore not see not be part of not parting being the thing passing through or bygone nights when the red and yellow fall goes unseen along the scenic drive where in an orange nightscape elsewhere there were cliffs and ruins of old tunnels where someone could drive us and tell us about the centuries of battles and treaties of myths and unknowns this was haunting if we could be there but in this small car on this wide and vacant road there were only these things telling us how what was was and can never be as you for example would whisper and then the words the syllables left adrift never came back to hear me listing